1·The disillusion of humanism --the analysis of love in zhang ai-ling's writings.
人本主义的幻灭--谈张爱玲小说创作中对爱的解析。
2·The disillusion of humanism — the analysis of love in zhang ai-ling's writings.
人本主义的幻灭——谈张爱玲小说创作中对爱的解析。
3·The balcony, an important image in the works of Zhang Ai-ling, appears repeatedly in her novels and prose.
阳台是张爱玲作品中的一种重要意象，在她的小说和散文中反复出现。
4·The desolation contained in Zhang Ai-ling's novels is the result of her special writing technique of uneven comparison.
张爱玲小说的苍凉意味是因为其“参差对照”写法形成的。
5·It is apparent that, in the belief of Zhang Ai-ling, the blow and harm done to females by males would become the resources for female growth in a sense.
显然，张爱玲相信，男性对女性人生所造成的打击和伤害在某种意义上会变成女性成长的资源。
6·The relation between the balcony and Zhang Ai-lings literary writing consists in the cultivation of Zhang Ai-lings unique angle of vision—overlooking and looking far ahead.
阳台与张爱玲作创作的关系在于：它培养了张爱玲独特的观察视角———俯视和远眺。
7·The theory about id, ego and super-ego of the school of the western psychoanalysis is best illustrated by one of ZHANG Ai-lings famous masterpieces, a Story of the Gold Lock.
西方精神分析学派的“本我”“自我”“超我”理论在张爱玲最负盛名的小说代表作之一——《金锁记》中得到了很好的体现。
8·It looks metaphor as the tools of thinking and exploring life, attempting more comprehensive to study and summarize the metaphorical world and its opening value of Zhang Ai Ling's novels.
将隐喻作为思考生命、探索人生的工具，试图较为全面地研究、总结张爱玲小说中的隐喻世界及其开启的价值。
9·Love and family are warm and sweet, but under the writing of Zhang Ai-ling, it has been dismantled and returned to the true and bleak human nature whose essence is selfish, false and callous.
爱情与亲情是温馨甜蜜的，但在张爱玲的笔下，它们全被拆解还原成真实冷漠的人性，它们的本质是自私、虚伪和冷酷。